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A few months ago I shared some tunes with the bad man Dev79 over at Seclusiasis and was lucky enough to get a tune on this release.  Forever being held down by the N.E. I am honored to share space with all these artist on this album.

Some real future ish on this one!  I look forward to a time when I get back to playing live sets of screwed up bass music.  2016 I’m looking at you.

From Seclusiasis:

It’s been about a year since the release of the 160 compilation, and it felt like the right time for the Seclusiasis gang to unleash the second installment of our tempo themed compilation series. And so we bring you – 100 – dropping on Friday Jan 29th!

After much deliberation (and many, many pints) of which BPM to focus on for this volume, Dev79, Starkey and cohort .rar Kelly flipped a coin and had the bartender call it. And thus, 100 was born. Don’t get it twisted – just because we decided on 100bpm does NOT mean this is a twerk related compilation. 100 has no constraints really. The only guideline is for producers to make a track in the 95-105 BPM range. The end result is a full spectrum of electronic sounds – even more varied than the inaugural 160.

From Cali’s CRIMES! opening with a crushing head nod, to World DMC Champ DJ Shiftee joining Philly rapper Bok Nero for the album’s only full vocal song (and a very catchy one at that), to the screwed anti gravity grime of Bass Science and the lurching hypnotic half time vibes of Slagz & Suspect Bitch…just to a name a few, everything here is dope and thick with bass.

And the team is dedicated, they are definitely not letting another year go by before you get the next tempo comp, the 130 edition is right around the corner so keep your ears open!

1. CRIMES! – Bodi Dem
2. Thunderbird Juicebox – Drop That
3. Shiftee – Foeva’eva ft Bok Nero
4. RVLVR – Crash
5. Dev79 & Swimwear – Hundo Mundo
6. Bass Science – Year Zero
7. Johnathan Thomas & Squirrely Bass – I Dreamt I Was Falling
8. Pleasure – It’s So Lit Fam
9. Max Klaw – Cheap Thrillz
10. Gutta Kick – Trill Pickles
11. Slagz & Suspect Bitch – MNBCVX

BLAZER_ADMAT_mux

Blazer is a place to gather, chill and network on a Tuesday evening with a soundtrack of future downtempo, trip-hop and chill trap tunes.

This week we have a special guest DJ – Mux Mool American electronic musician, producer, and visual artist affiliated with the labels Moodgadget, Ghostly International, and Super Best Records. https://soundcloud.com/muxmool

This week we are gathering signatures for the ballot initiative to legalize public consumption in venues that will allow it. In order to get the proposal on the November 2015 ballot we need to gather 4,700 signatures before summer’s end to get this initiative on the ballot. Come down and sign up to get this initiative in the ballot.

Our goal is to bring together entrepreneurs and creatives from across modalities to discuss upcoming projects and topics of the day, enjoy music and the unique setting.

BLAZER_ADMAT_JUNE

BLAZER: A HIGH HAPPY HOUR SOCIAL on the Funky Buddha LoungeRooftop.

Blazer is a place to gather and chill on Tuesday evening with a soundtrack of future downtempo, trip-hop and chill trap tunes.

Our goal is to bring together entrepreneurs and creatives from across modalities to discuss upcoming projects and topics of the day, enjoy music and the unique setting.

No Cover
21+ to attend

With support from:
William Wet Stache / Wet Stache Nation
Gold Whistle
jbnstlk.com
SOCO Nightlife District

One!

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Hey Everybody!  Happy Holidays!

Wanted to share these bootlegs, remixes and edits I whipped up over the last 12 months. May you enjoy them all you out there in untz land!
Please share with your peeps and follow me on my social networks at the bottom of the page!
Enjoy,
MAX
DIRECT DOWNLOAD here.

Prime-Cuts-FB-Flyer
*Prime Cuts*
Be Electric: 1298 Willoughby Ave, Brooklyn, NY 11237
Saturday, December 13th, 10PM to 4AM
$10 Presale Tickets // $15 Door Tickets
www.primecuts.brownpapertickets.com
21+
*###LineUp###*
Haruka Salt – 11PM to 12AM
Max Klaw – 12AM to 1AM
Black & Gold Marching Elite – Surprise Marching Band Performance
Boody – 130AM to 300AM
J Heat – 300AM to 4AM
*### Event Description ###*
*###www.facebook.com/events/605776032881608
<http://www.facebook.com/events/605776032881608>###*
Apertifs x
We Are Raw Process LLC <https://www.facebook.com/RawProcess>
The Black and Gold Marching Elite
<https://www.facebook.com/pages/The-Black-and-Gold-Marching-Elite/374617812666702>Midnight Munchies x
Manilla GirlCraft Brews x
The Bronx Brewery <https://www.facebook.com/TheBronxBrewery>
Crispin Hard Cider <https://www.facebook.com/CrispinCider>Aesthetics x
Arthur Kozlovski

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BUT DO YOU NEED TO KNOW MUSIC THEORY?
ABLETON COOKBOOK  Shares SOME POIGNANT THOUGHTS ON THE SUBJECT.

I can tell you from experience that music theory, knowing the “right” way to put chords, melodies and rhythms together, has probably prevented me from coming up with as much music as it has enabled me to come up with. Whenever I do something or hear something that sounds “wrong,” I try to fit it into my little theoretical system. If it doesn’t fit, I disregard it, or I make up some exception to the rule. 

Read the full post here. 

repostED from Attack Magazine.

Thomas Cox argues that promoters need to be more critical when booking DJs to play at their parties.

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Throwing a good party should be easy. The basics are simple: find a venue, get a soundsystem, book the right DJ. It’s the last of those three that often seems to cause problems. A good party relies on many moving parts, most of which are not the responsibility of the DJ. But once those other things are adequately taken care of, it’s the job of the DJ to hammer it all home. So why do so many parties still fall flat? Having been involved with dance music for two decades, it astounds me to see the same mistakes being made over and over again. These ideas are rarely discussed out loud in the industry, and most of the mistakes are interrelated. Let’s examine what it means to book a DJ who knows how to rock a party.

“Picking the right DJ is probably the single most defining choice for a party.”

Picking the right DJ is probably the single most defining choice for a party. This is the person in charge of setting the atmosphere for the evening, taking the energy of the room up and down, sending everybody home at the end of the night feeling fulfilled. But not every DJ is created equal. Despite being a relatively simple concept at its most basic level, DJing is clearly difficult enough that there are many DJs being booked all over the world who have no business being on that level. The first mistake happens when skills are ignored in favour of celebrity status. If the main draw to a party is the fact that the headliner has a few popular records right now, that should send up red flags immediately. More producers than ever before are out on the road playing DJ gigs to generate income, despite not really being DJs. Sadly, there is zero direct relationship between the quality of a producer’s recorded output and the quality of their DJ sets. Even worse, it’s now impossible to gain any insight into a producer’s DJ skills from listening to their mixtapes, which can be as much a product of studio skills as their original tunes. As such, one would expect it to come out sounding good if they’re already making music on that level. Weak DJs typically fall into a few common traps which are detrimental to the quality of a party. I’ve seen many DJs play what sounded like a planned set. They played exactly one style of music at one energy level through their whole set, even when the situation called for something to change. I’ve watched ‘name’ DJ headliners clear an entire party out without even trying something different to stem the tide of heads walking out the door. This is pretty much inexcusable from anyone, much less a headliner. The entire point of a good party is the symbiotic relationship between crowd and DJ, where energy levels are amplified by playing the right record at the right time. If this most basic of premises is a problem, everything else in the party is going to go very poorly. (Full Article)